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Friday, September 08, 2006

National historical perspectives

My mother went to school in Britain and I went to school in Norway. The other day we started talking about biased historical perspective or black and white historical teaching. She told me that when she first came to Norway she had to change her view of Britain's role in history. The British empire and the colonies had been a great part of her schooling and she had been thought to be proud of British history. In Norway, however, she was told that an empire is hardly anything to be proud of; it it just exploitation. This was of course not too many years since colonies had reclaimed their independence. Of course she started school before the working class historians had had any impact although historians as E.P Thompson and Eric Hobsbawm might have started writing. And even if "history from below" had been strong in university circles, I doubt if schools would have promoted that view. My impression is that British schools still tell the history from above, although it may vary. Independent of the curriculum, a teacher's is as important for the impression pupils get of history.

My experience of history at school was much more a history from below. We did not learn much of the Viking kings, but we learned of Viking agriculture. We did not learn about the Norwegian Medieval Empire, but of how the Great Plague infected merchants and peasants. We did not learn much of the Norwegian-Danish kings in early modern times, but how Lutheranism and Catechisms spread literacy to greater parts of the population. And even though we heard about the Swedish-Norwegian kings of the Nineteenth-Century and of Parliamentarianism, the use of power from streams and waterfalls to the textile industry and the new electric power stations creating a working class in addition to the agricultural sector.

When I went to school, it was still important to emphasis the generation that built the country; that is the building of the Welfare State after 1945. Norway was still not a very wealthy country in the 1980s. However, oil has made Norway a rich country now and I suppose this will influence how history is though. The impression I got as a secondary school teacher was that children should know Norway as a peace nation. It is emphasised that Norway has not gone to war since the Viking Age  - well, if one does not include involvement in Afghanistan in the resent years - and that Norwegian politicians work as peace negotiators all over the world.

As my mother experienced how British and Norwegian schools in the 1950s told quite different histories of Great Britain, I assume the same will be the case today. My experience with historiography is that the interest lies in the development of different historical schools and not how these are used by the public. Even though one historical school is leading in a country it does not necessarily mean that this is the leading view thought in schools. It would have been interesting to do a comparison between countries when it comes to historical curriculum and how history is thought.

Monday, August 28, 2006

History, biography and Ibsen

My new year resolution number six was to read more biographies. The main reason for this being my general suspicion to biographies and a want to appreciate the genre more. Having worked with historiography for some years my belief is that it is incredibly hard to write history well. There is - as most people are aware -  a huge difference between lived history and written history and the historians' task is to try to make this difference smaller. (Though some historiographers would perhaps say that historians today makes the difference larger as they are more aware that they to a large they write fiction.)  In my opinion the best written history is made by historians that admits they have a purpose with their writing and are thus not pretending to be objective. However, at the same time the historian should ideally have some distance to the topic.

Adapting this to biographies I believe it must be even harder to write a biography, than to write written history. It is so much easier to be personally involved when a personality is the subject. At the same time the purpose with history books and biographies, must be to give the reader entertainment and wisdom - both being equally important. My experience so far is that biographies very easily fall down in either too much entertainment or too much knowledge, but seldom much wisdom, though learning from our forefathers might have been the main purpose in writing biography. When I read my first biography this year on Queen Margrethe of Denmark, I had hopes of reading some words of wisdom. The book did not offer much wisdom, but it made me reflect over her view on historiography, so the book had some value for me. This summer I have read another biography and I will write a post on that tomorrow, but today I will continue with Henrik Ibsen.

Henrik_ibsenAs Norway (and the rest of the world) celebrates the centenary of Henrik Ibsen's death, the Ibsen Museum here in Oslo has finally been able to make the exhibition. As I find it hard to understand how it is possible to write biography, I find it even harder to understand how how it is possible to make an exhibition to justify a person's life - a biography is at least a story, an exhibition has to be very well curated to tell a story. The Ibsen Museum in Oslo is in the flat Ibsen spent the last years of his life and also where he died. I found it extremely interesting and entertaining to see his flat because of the image one gets of late nineteenth century, bourgeois life in Norway, but not because Henrik Ibsen used to live there. (I can also mention that I did neither have a thrill when visiting Shakespeare's birth place in Stratford-upon-Avon ten years ago). The exhibition - which is new this year and placed in the nabouring flat - however, did not catch my interest. Though I must admit I was fascinated with the colour scheme. The reason for my dislike was the exhibition's unhappy faith at being too entertaining, too personal and too much filled with facts. The exhibition has thus left me with these images:

  • Red, white and black, glass, minimalistic fonts, play between light and darkness. The image of a cool restaurant.
  • Why display his shaving equipment, his comb, his handkerchief and other very personal belongings? His notebooks are interesting since he is an author, but his shaving brush!!!
  • Ibsen was a short man. I find this to be a distracting fact. Everyone in Norway who has a higher education knows that Immanuel Kant was 153cm tall (or short) because this is emphasised in the entrance course in philosophy, but hardly any one can tell you anything about his epistemology. I am afraid to now be more concerned with Ibsen's lack of tallness, than his works.
  • There were screens everywhere, making it very interactive. But also making it look like a spaceship.

I know I would have preferred an "Ibsen - the author" museum, compared to "Ibsen - the man who lived in this flat" museum, but I am not quite sure how it could have been done. What are the important facts? How to experience his work? Would it not be best to watch some of his plays? If telling his life's story, how could it be linked to his work?

Biographer_2Whilst I write about Ibsen and his biography I am reminded of A.S. Byatt's The Biographer's Tale on a biographer writing the biography of a biographer writing a biography on Ibsen's early years. It has been a while since I have read it, but I seem to remember the difficulty of the biographer to catch the essence of the lived life. Instead of looking for the essence, the biographer looks for everything. He seems to want to re-live the other persons life, which of course is an impossibility. I suppose Byatt try to show the "too personal" and "too much information" traps.

Byatt's book is a novel, but perhaps she also have a solution to the biography problem. The entertainment part of a biography is perhaps much better taken care of in a novel. And as books of this sort often tend to become bestsellers, biographies proper should perhaps not aim for the same strategy?

Wednesday, May 10, 2006

Historians - British style

Anthony Beevor visited Oslo today and I managed to get a seat at his talk this evening. It was probably the talk he gives anywhere he goes to promote his new book on the Spanish civil war. As this is not my field of knowledge I cannot really say whether it was a good talk or not, but I made a few notes on something else:

Many British historians have an intellectual arrogance that very few display in Norway. One feature of this arrogance is always to talk in metaphors. Thoughts seems a lot deeper this way. And even better, add a few quotes from the diaries of famous men - preferably some that can make the audience laugh. Then make general categorisations of historical events and categorise peoples' attributes. This makes you sound like the king of the world.

Sometimes this works wonderful, as it is done with a touch of irony and a big dash of humour. However, it might fail terribly and you become only tremendously arrogant. I am not quite sure what happened today.

Wednesday, January 11, 2006

Conceptual History as a mode of historical understanding

Being only half a research-Wednesday (I had to take four classes this morning) I only managed to make a quick draft on my new research proposal. I have thought around these ideas for a while, but it is something else putting it down on the computer.

I do not have anything like a title yet, but I want to develop a conceptual history as a general mode of historical understanding - that is a critical methodology that can be used on all aspects of history - and
a possible means of teaching history. I still only have an enormous quantity of strange uncombined ideas, but I am quite sure there is something good deep inside.

Does anyone know of anyone that has used conceptual history in teaching?  When it comes to philosophical ideas around conceptual history as a mode of understanding I believe I have some sort of overview, but I would love comments and ideas on that too.

Monday, August 01, 2005

History of Sports

The Norwegian School of Sports Science (Norges Idrettshøyskole - NIH) has announced a PhD-scholarship in The History of Sports with regards to sorts and foreign aid or sports and media (full description in Norwegian). The candidate is required to have a masters degree in Sports Science. Applicants with other backgrounds will not be taken into consideration.

I find it annoying that a position in Sports Science is advertised as a position in The History of Sports when they do not want a historian. (For all I know they might already have a specific person in mind). Even though I do not know of historians in Norway working within the history of sports, I know that at the school of social science at the University of Strathclyde/University of Glasgow there are research done connected to the history of sports. Some of the theses written there would, as I see it, be within what the NIH advertisement ask for. The must be historians in Norway who could have written a good thesis along the lines wanted. The University of Oslo have supervised theses in the history of foreign aid and I suppose some of those candidates would be able to write on the history of sports and foreign aid.

Even though I am very interested in the theoretical aspects of history, I try to respect other historians that are not too theoretical minded. Although they might lack the theoretical interest, they still have the necessary skill to write academic historiography. Most history department force aspiring historians to do skills and methodology courses. And through lectures and discussions one get the feeling of historical source criticism, hermeneutics and historical understanding.

However, I am not so sure about sports scientists, local patriots, mathematicians and economists who write historiography. The in depth knowledge of a discipline does not necessarily qualify for academic historical writing. I am, therefore, a bit reluctant to call all these histories History. However,  I am now approaching the subject of History/Historiography's identity and I do not want to go down that path (today).

As an undergraduate in history - before I was taken by historiography and historical theory - I wanted to work within the history of science/the history of mathematics as a historian. Looking back it might have been better to have followed that path tho show how historians can write the history of mathematics. As a theorist you will not necessarily be heard.

Wednesday, April 27, 2005

History of ideas, intellectual history and modernity

In the recent edition of the Norwegian historical journal Historisk Tidsskrift (84:1, pp.13-34) Thomas Krogh, Professor of History of Ideas at the University of Oslo, has an article called ‘History of Ideas and Modernity, or: It was the Economy, stupid’. This post is an answer to this article.

Abstract from the journal:
    In the first part of this paper I argue that in the last decennia the history of ideas has become largely a debate about modernism and modernity. Older debates, too, are now seen in this perspective, even though themes such as modernisation and modern society already lay in the periphery of this field. Based on the interpretation of several central works on modernity, I present a short list of the basic themes discussed in this literature: the form of the process of modernisation; the chronology and periodisation of this process; the layer where the main changes take place; the fundamental characteristics of modernity; and finally, the geographic space of modernisation. I follow up on this typology with a general criticism of theories of modernity: while certainly valuable as studies of cognitive change, these are concentrated too exclusively on attempts to find the essence of the fundamental trait of modernity.
    I argue that the academic subject we know as intellectual history proper should not surrender its character as an activity of interpretation and reading of texts – indeed this type of study should become integrated in a more comprehensive type of modernity theory.  In the second part I give some historical examples of this type of research. I argue that at least one promising way of researching this vein is to focus on the relationship between modernisation on the individual, cognitive level, on the one hand, and the great institutions of modern society, marked and state, on the other. Despite obvious deficits, Norbert Elias is of course one exponent of this approach, but in this paper my main example is Thomas Haskell and his studies of the link between the new morality behind the antislavery movement and the new economic reality in which it developed.

Krogh tries to describe the typical literature of modernity from a history of ideas perspective and then he argues that this literature should be integrated in the interdisciplinary research in modernity theory. He takes it for granted that history of ideas now is linked to modernity theory, and that this is the only form of history of ideas and intellectual history. He claims this is a result of the last 20 years’ research, and suggests that the post-modern debate created this turn within the discipline.  However, he writes that nothing in the foundation of history of ideas, as it was created by Lovejoy et al, suggested that the discipline should centre on the change between a pre-modern and modern society. (p.15) Though within the histories of sciences has there been a focus on the scientific revolutions for many decades.

In Krogh’s view there are five characteristic interests of modernity theory:
1.    The form of the modernisation process and the form of its origin.
2.    The chronology and periodisation of this process and the categorisation of the different stages of development.
3.    To define the layers in which this process developed or where a change to place.
4.    The fundamental characteristics of modernity.
5.    The framework of the geographic space of modernisation.

It is not mine impression that most intellectual history has these five points as their methodological framework. Krogh writes that; ‘We see today a larger and larger part of intellectual history now concerns the period 1550 to 1750, give and take a few decades’ (p.21, my translation). Is it so?

Studying history of ideas in Oslo was very much a study of modernity (Krogh is and was amongst the ones deciding the curriculum) and I know that this has influenced my interest in modernity. However, my impression is that histories of ideas are not the same as modernity studies when one look further than Scandinavia. To check my impression I had a look at the latest volumes of The Journal of the History of Ideas. There was nothing there that suggested a turn to modernity theory. Of course there were articles on modernity and the - according to Krogh - essential modernisation period 1550-1750, but these did not constitute the majority. Also there were articles that could be characterised as been on early-modern or modern periods, but which, at least from their titles, did not seem to take a modernisation perspective.

If looking at Krogh’s footnotes it seem as if he has read a lot of German histories of ideas. I believe this might be where his and mine argument disagrees. I mainly read Anglophone historiography, so this influences my perspective on what happens in history of ideas. My knowledge of Scandinavian and German history of ideas seems to be more in accordance with Krogh’s thesis. However, Krogh’s article seems to claim universal validity. In my opinion this is a generalisation that does not hold.

There are differences in history of ideas and how intellectual history is performed in, i.e., Britain. (Krogh writes that he will use history of ideas and intellectual history as synonyms, p.15) And I believe this is one reason why one branch might have been more influenced by modernity theory than the other. In Oslo, and in some other Scandinavian universities, history of ideas is separated from the history departments. This encourages the development of different methodology. In Britain, however, intellectual history is integrated in the history departments and thus there is not necessarily a methodological gap between intellectual history and traditional (social) history. My impression is that social history and political science has taken the responsibility for investigating modernity in Britain. Some of these social historians have become linguistically interested, but this does not make them intellectual historians. Although this is not my major field of knowledge, my impression is that Anglophone intellectual history has kept more of the “well educated” mark and thus have been more interested in literature, biography and other fields discussing human nature, than strictly the man and modernity question.

Krogh suggests the post-modern debate as the root to the modernity change in history of ideas. Both historical theory and post-modernism develops differently in different countries and language areas. Perhaps the focus on pre-judice and horizon of understanding – the German version of perspectivism – influenced a focus on pre-modernity and modernity to be able to understand the process that has shaped present day thinking and perspective. Hermeneutics and the ideas of Hans-Georg Gadamer have not had the same in Britain as in Germany and Scandinavia. Perhaps this is one reason why intellectual history not has developed into modernity history.

Thomas Haskell is suggested by Krogh as a historian of ideas who has integrated history of ideas and modernity theory. I have not read Haskell, so I do not want to comment upon Krogh’s use of him. However, Haskell seems to be an American historian and I might have to modify my thoughts on the lack of modernity theory in Anglophone history of ideas.

When trying to sum up my thoughts, I was interested by Krogh’s article because I could recognise the state of Scandinavian history of ideas in it. However, I felt that Krogh made a too simple generalisation of the character of history of ideas. If one avoid questioning what happened to all the non-modernity historiography, there is still at least one thing missing in the article; a world perspective. I have tried to point out that a general modernity perspective is not valid for British intellectual history – perhaps despite Skinner and Pocock who Krogh uses as examples – and perhaps not for American intellectual history too. I suggest that long reaching methodological roots have developed differences within histories of ideas and intellectual history and thus opened up a path of modernity theory. A path that not all historians of ideas stroll down.

Wednesday, April 06, 2005

Schinkel on Koselleck’s ‘experience’ and ‘expectation’

Anders Schinkel’s article ‘Imagination as a category of history: and essay concerning Koselleck’s concepts Erfarungsraum and Erwartungshorisont’ (History and Theory 44 –Feb 2005) argues that Koselleck is not able to account for the relationship between the space of experience and horizon of expectation and that a concept/category of imagination is needed to explain this relationship.

Schinkel sees change and continuity as two of the main aspects of history and he links them to Koselleck’s thesis. Schinkel believes Koselleck to primarily be interested in continuity and the static, but that his tools of ‘space of experience’ and ‘horizon of expectation’ has forced him to emphasis the difference between the past and present; the change that constitute experience and expectation. Schinkel includes this new tool of the category imagination to be able to keep a position of the static.

While I insist on the essential connection between experience and expectation, and on the impossibility of their drifting apart, I do think that their relation many change. This change depends on that which forms the connection between experience and expectation, that is, the imagination. (p.43)

Continue reading "Schinkel on Koselleck’s ‘experience’ and ‘expectation’" »

Friday, April 01, 2005

Journals and libraries

I check the table of contents of the history/historiography/philosophy of history journals regularly on-line. (I love the ones you can subscribe to ToC by email). Some weeks ago I thus became aware of an article in the newest edition of History and Theory (February 2005) that I wanted to read. I went to the university library in Oslo to read this article but the newest edition was not in yet. And it had not arrived when I looked this week either. I got tired of waiting and went on line and printed the article of SwetsWise earlier today. However, when I last browsed the shelves with historical journals I saw that most journals were represented with a 2004 number as the most resent edition. Is the university library here slow, or its it common to wait months for a journal?

The article I now look forward to read is Anders Schinkel's 'Imagination as a category of history: An essay concerning Koselleck's concepts of Erfahrungsraum and Erwartungshorizont.' Continue to read abstract:

Continue reading "Journals and libraries" »

Friday, February 25, 2005

History's male authoritative voice

kottke.org writes that at The History Channel only wants male voices. Kottke argues that this might have to do with a belief in the male authoritative voice. I believe he might be right that a male - or rather old and male - audience would have more confidence in a male narrator than a female. However, it is sad that the perspective of professional history should be male as more and more historians are female.

Bonnie Smith's The Gender of History is a good book on this.

British History Journals

Historisk Tidsskrift (The Norwegian Historical Journal) came with its first edition in 1870 and historical journals in Germany appeared at the same time, if not earlier. My last days research has shown that historical articles were published in other intellectual journals too, probably because the discipline did not have a large enough professional sphere and wanted to reach the general public.

I do not know much about British history journals. I find that History was founded by the Historical Association in 1912 and that Historical Research started in 1923. And if inters ted in social history; Past & Present in 1952. I know that historiography in Britain stayed a erudite past time activity in the nineteenth century and did not get properly professionalized until the twentieth century, but where did historians publish their papers before 1912? Was publication only in books, or was there more general intellectual journals that would accept historical articles and create a debate? Or have I overlooked a historical journal that perhaps does not exist anymore?

Anyone who knows?

Update:

The English History Review is supposed to be the first English history journal from 1886. Still, I would like to know if there was anywhere else a historian would publish his or her articles.